Friday, April 5, 2013

Pulp Fiction: Hope, Rebirth, and Redemption

Pulp Fiction

Hope, Rebirth, and Redemption

Pulp Fiction combines characters from reckoningly different places and ties them into each different at some point in each story. Each of the quadruple stories intertwines in a complex play of good versus evil, and military force and redemption. The lineage and the end of the film engage deuce short time thieves, named Pumpkin also known as Ringo (Tim Roth) and dulcorate Bunny also known as Yolanda (Amanda Plummer). The two thieves seem to be irrelevant and easily forgotten once the beginning credits and theme roll, that is, until we recognize them at the end when they draw in our main characters story.

The main characters of the film are two compact hit men, Vincent Vega (John Travolta), Jules Winnfield (Samuel L. Jackson), their boss, Marsellus Wallace (Ving Rhames), the bosss wife Mia Wallace (Uma Thurman), and a boxer Butch Coolidge (Bruce Willis). The characters are over stereotypical yet with surprising dialogue displaying their individuality.

We scarper to follow the two hit men trying to understand how their stories fit into the other characters lives and as an added twist---at what time. The explicit information is relayed to the viewer through detestable language and wanton violence appearing outwardly cursory for these two hit men.

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The implicit information, such as the shadowy contents of the briefcase, is the directors purposeful puzzling trademark; only two characters in the film actually view what is in the briefcase and the listening is shown only their reaction.

        Based on the display of casual dose use by the characters in the film, an objective observation leads one to believe the drugs are a necessity and commonplace.

The story is non in chronological order. The director, Quentin Tarantino, uses a pioneering style combining flashback with drive home day, although the audience is left to...

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