Comparing The Nibelungenlied & The Saga of the Volsungs

Yet women argon steady viewed as inferior to men in The Nibelungenlied. Siegfried helps his brother-in-law defeat Brynhild. He then sneaks into the marriage chamber and when Brynhild rejects her husband's advances, Siegfried holds he down firearm she is raped. In this portrayal we tolerate the picture of a affectionate womanhood as one who is not quite right. Something appears equipment casualty in a woman who is too powerful. Brynhild kills suitors, her powers be broken once she loses her virginity, and such a woman still needfully conquered and made subservient to men. The message is that normal women do not engage in warrior arts.

In The Saga of the Nibelungenlied, we also get a similar portrayal of women in warrior society. By virtue of gender, a man must prove himself to be a palmy warrior and an honorable and noble hero. However, he must run master copy to women. His role is not only to protect women, but to translate control of both her property and her sexuality. Women, on the other hand, are not to pursue the warrior arts but are to remain subservient and humble. These distinctions of gender are made quite archeozoic in the story as the narrator wonders about a woman who might assume young-begetting(prenominal) warrior qualities. It silences him. Such a possibility is imaginable, but this would render men as delicate in comparison.

Thus we see that transgressing gender norms is not judgement of highly in either work. There is something wrong of affected with women who attempt to do

In The Saga of the Volsungs we get a completely different version of the intake of Kriemhild's counterpart, Gudrun. The dream is more elaborate and extended in this version of the legend. In this version there are feathers of gold on the vend she dreams of and she casts away all(a) of her wealth. Her mother is not present. However, Gudrun laments that she does not jockey who the perfect man will be that a woman tells her the dream (hawk) symbolizes. They thus decide to go to Brynhild for an answer. However, both women are portrayed as having unparalleled beauty in all the realm. As Brynhild says of Gudrun, "No fairer woman may come to our syndicate" (Killings 25, 2).

so.

Early on in The Nibelungenlied, Kriemhild is portrayed as a fair and pure maid whose comely virtues "were an adornment to all women" (Armour 4). However, Kriemhild is tussle by a dream. When she explains the dream to her mother, Uta, she is told it is symbolic for a say-so noble man who will enter her life. When Kriemhild argues she would keep her white more if she never engaged in relations with the male sex, her mother basically tells her that no woman can mystify happiness if not engaged in a blood with such a man: "Be not so sure; for wouldst thou ever on this earth direct heart's gladness, it cometh from the love of a man. And a fair wife wilting thou be, if God but lead hither to thee a true and trusty knight" (Armour 5). Such sentiments are whole opposite modern sentiments that consider it demeaning to tell a woman her heart will never be felicitous without the love of a man.

Killings, D. B., Translator. The Saga of the Volsungs. Available: http://sunsite.berkeley.edu/OMACL/Volsunga/, Chapter I-XLIII.

In evidence we can see there are many similarities and differences between these two versions of the legend of a dragon slayer. However, we can bring in why these forms of art were apprec
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