Edgar Allan Poe's Interest with Death

Being buried living is a theme reiterate again and again in Poe, recalling his own sense of living finis in his life story and his fear of universe entombed.

However, as can be seen in the federal agency Poe handles certain symbolic elements, living death is the way Poe defines life itself, for he sees us as always on the road to death every day of our lives. His story "The mask of the blood-red finish" presents a kingdom overcome by a terrible disease known as the Red Death, and his description emphasizes not just that people die entirely how they die:

No pestererilence had ever been so fatal, or so hideous. Blood was its Avatar and its seal-the redness and the plague of blood. There were sharp pains, and sudden dizziness, and then profuse expel at the pores, with dissolution. The scarlet stains upon the body and especially upon the face of the victim, were the pest ban which shut him out from the aid and from the sympathy of his gallantmen. And the whole seizure, progress and termination of the disease, were the incidents of half an hour ("The fancy dress of the Red Death" 1).

Redness is the symbol of death, and while the royal line of this kingdom has built a huge wall to fall out out the pestilence, the Red Death cannot be stopped by any such barrier. This walled enclosure becomes another symbol of being buried alive, for the walls act in a similar look to the enclosure of a coffin or tomb and genuinely become a tomb by the end of the story. The military position is, "

The room is described as "ghastly in the extreme" ("The Masque of the Red Death" 12), and the revelers, who clearly fear death and who live a well-endowed life to stave off death, at the same quantify seem drawn to the images of death and finally to the stranger in the red masque.

A similar combination of time and death is expressed in the poem "The Raven," where the poet emphasizes that the events described take business office at midnight when the black bird appears. Critic Vincent Buranelli emphasizes the dual message of the poem. The surface meaning is the narrative, with the poet asking questions of the raven and hearing the repeated "Nevermore, " leading to the final question of whether he and his mistress entrust ever be reunited--"Nevermore.

" The second meaning, says Buranelli, has to be interpreted done the symbols of the poem and through suggestive signs which represent ideas hidden beneath the surface. The principal symbol is the raven, which with its jet black feathers and harsh blend in has been accepted by common consent to represent fate. In his essay on composition, Poe indicates that the raven in his poem represents pitiful and never-ending remembrance, meaning that the bereaved lover now has his ruefulness brought home to him by this creature that stands for memory. The raven sits on the rent of Pallas, and Buranelli points out the symbolism of this in that Pallas was the Greek goddess of soundness representing the life of learning into which the poet has plunged himself as a way of escaping his sorrow. The shape also contrasts with the raven, for the bust is white and the raven black, the bust soundless and the raven croaking its own word, the bust representing serene soundness and the other crushing fate. The word "Nevermore" is also use as a symbol:

To the right and left, in the position of each wall, a tall and narrow Gothic windowpane looked out upon a closed corridor which pursued the windings of the suite. These windows were of stained meth whose color var
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